I was like, "Then listen to the radio and wait for your favorite song to come on just like I did. I actually got in an argument with some NIN fans backstage at a show because they were defending their "right" to steal albums based on their low salary at Hot Topic or whatever. get ready to pay $300 for a concert ticket, and don't forget to pick up an $85 hoodie and $45 t-shirt at the merch table. Those albums cost a TON of money to make, and if nobody's paying for them, well. When iTunes was announced I started packing my bags, and six months later I was outta there.Ī year or so earlier, Lars Ulrich had gotten all kinds of flack from the punters for coming out against piracy of albums, but I was firmly on his side. It's one thing to ask a friend to make a cassette dub or burn a CD of the latest album, but Napster and LimeWire made it too easy to just stuff your pockets at the all-you-can-eat buffet. I knew that the punters would steal anything that wasn't nailed down, and Napster lowered the barrier for theft to trivial levels. This was long before Spotify, Pandora, or YouTube, and before even the iPod was released - but Napster had just come out, and as soon as I saw it in action I knew it was game over for the kind of big-dollar albums I had been involved in.
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